Client s NameDateProfessor s NameCourseBaroqueIn Rubens Descent from the Cross the element that makes the oil on canvas baroque in nature is that of the attention to peak . Rubens was contrary in his motion-picture show , which was a personal government agency of his contrivanceistry and not defined by the Baroque art period . His bodies in his images though in action or even in repose were depicted although with muscles tone , the muscles seemed flaccid , as is the case in the above mentioned paintingThe wounds of messiah argon Baroque in their depiction because it is the opposite of what previous delicious movements has focused upon . There is the revelation of power in the conclave disciples and in the color palate being manipulated in the painting the insidious tones and the attention to chiaroscuro is what gives the painting a very Rubenesque find out . The viewer s attention again is draw towards the bodies albeit muscular , they argon not showing signs of body fat , they are perfected in their grief , and in the area of opposites , this is what Rubens wanted to make the perfect body juxtaposed with very human emotions the matinee idol body paired with humanityIn exact contrast to Rubens depiction of saviour s flaccid only toned body , Velazquez gives the viewer a the Nazarene who hangs colourless on the pass across His body is in classic Greek contrapposto his body is aligned in an S-curve . The bleakness of the painting the black background , and the striking whiteness of christ s body adds to the power of the moment the messiah on the cross . Rubens painting was chaotic with alter , but Velazquez shows restraint in this painting by allowing the moment , and the feeling transcend the painting , by toning down the colorsAs opposed to Rubens deliveryman , Velazquez introduces the viewer to the bodies stead on canvas . Rubens engaged other participants with Christs movement stumble the cross .

Rubens has a similar piece which is depicting Christ being hoisted upon the cross . Velazquez on the other hand shows Christ solitary in the painting he endures by himself , which is in itself a great contrast to the jumble of bodies prevalent in Rubens pieceRubens also denoted a lot of muscle mass to Christ period Velazquez depicts his Christ more like a younger , realistic man Velazquez makes his Christ human with human qualities and while Rubens portrays Christ bleeding the same human sentiment is not shown . Velazquez shows Christ himself grieving on the cross instead of Rubens painting where everyone but Christ is grieving and this is what makes Velazquez s Christ humanTitian portrays Magdalene in somber tones , that are prevalent throughout the High Renaissance . The tones and colors used create a mood of reserved panic and the facial nerve expression used is that of inquiry . This speculativeness is subtle in Titian s art , but in certain facial expressions and through the use of color , the look of the characters becomes sometimes inquisitive , royal , or even pensive . The dark yet vibrant...If you want to get a full essay, order it on our website:
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