ACT ONE
EXT. OVERPASS - DAY
CROWLEY releases PENDLETON. CASTIEL speaks into the phone.
CASTIEL
The demon Crowley is making a extend; as we speak, itsâ€"going down.
EXT. LAKESIDE - DAY
DEAN is on the phone. surface-to-air missile leans against the car, back to DEAN.
DEAN
Going down? Right. Okay, Huggy Bear, just dont lose him.
surface-to-air missile turns to look at DEAN.
CASTIEL
I wont lose him.
EXT. UNDERPASS - DAY
PENDLETON
dump you.
PENDLETON turns to walk back to his car.
CROWLEY
Enjoy the obscene wealth. See you in ten years.
CROWLEY fiddles with a cell phone while he walks, then vanishes. CASTIEL follows him, vanishing as well.
EXT. dorm - DAY
CASTIEL is still on the phone.
CASTIEL
I followed him. Its not far, butâ€"its layered in Enochian warding magic.
The wall is cover in blue-white geometric designs matching those seen in 4.15 Death Takes A Holiday; these were not visible a moment earlier.
CASTIEL
I cant get in.
DEAN
Thats okay, you did great. Well take it from here.
EXT. LAKESIDE - DAY
The Impala drives off.
EXT. MANSION - NIGHT
INT. MANSION - DAY
CROWLEY pours himself a drink with lemon and watches a black-and-white postulate involving Nazis.
EXT.
MANSION - NIGHT
A boyish WOMAN in eve dress approaches the gate and presses a button on the intercom.
INTERCOM
how-dye-do?
YOUNG WOMAN
Hello. My car broke down. Iâ€"I imply some help.
INTERCOM
Ill be down in a minute.
The YOUNG WOMAN turns around to wait; its JO HARVELLE. The gate swings open and both MEN approach.
branch MAN
Evening, pretty lady. Get yourself on in here.
JO
I just need to make a call.
prototypal MAN
You dont need to call anyone, baby.
He glances back at his partner.
FIRST MAN
Were the only help youre ever gonna need.
JO
You know what? I retrieve I should wait by my car.
JO turns to go. The FIRST MAN grabs her lift; his eyes go black.
FIRST MAN
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