The extrovertion of romantic works aspirations of surpassing classical cannons(could it be a nostalgia of the dionysiac?) determines the imperative of transcending limits between genre, forms, styles...
expansity not only in time (for recovering the gothic desiderate), but also in space (the fascination for pitoresque, colour, spontaneousness of expression). A very clear example of this tendency could be provided by Neue Deutsche Schules concept of Gesamtkunstwerk ( its extraordinary artistical manifestation being Wagners musical theater drama, as he reffered to it, not opera). Interestingly, Nietzsche nominates Wagners work as the perfect solution for merging the apollinian and the dionysian.
As a result of objectivation by scrutinizing the inner world of the Genius creator, the romantic work is desired to be a perfect entity, a leibnizian monad (le meilleur des mondes possibles), of absolute organicity. However, it wouldnt be capable of...If you want to get a full essay, crop it on our website: Orderessay
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