Silence, exile, and cunning.- these are weapons Stephen Dedalus chooses in A Portrait of the Artist as a Young Man. And these, too, were weapons that its author, James Joyce, used against a hostile world.Â
Like his fictional hero, Stephen, the young Joyce felt repress by the narrow interests, religious pressures, and political squabbles of turn-of-the-century Ireland. In 1904, when he was twenty-two, he left his family, the Roman Catholic Church, and the dull unconsciousness of Dublin for the atomic number 63an continent to become a writer. With apprize exceptions, he was to remain away from Ireland for the rest of his life.Â
It was a cobwebby move for several reasons. In spite of his need to run out away from constrictions on his development as a writer, Joyce had of all time been close to his family. He still admired the intellectual and aesthetical aspects of the Roman Catholic tradition that had nurtured him. And the city of Dublin was in his soul.Â
(Asked later how long he had been away from Dublin, he answered: develop I ever left it?) that Joyce did achieve his literary goal in exile. The artistic climate of continental Europe encouraged experiment. With cunning (skillfulness) and hard work, Joyce developed his own literary voice.
He labored for ten years on Portrait of theArtist, the fictionalized account of his youth. When it appeared in book form in 1916, cardinal years after Joyces flight from Ireland, it created a sensation.Â
Joyce was hailed as an fundamental new force in literature.Â
Portrait of the Artist is commonly empathize as an autobiography, and many of the incidents in it come from Joyces youth. But dont assume that he was exactly like his sober hero, Stephen Dedalus. Joyces younger brother Stanislaus, with whom he was very close, called Portrait of the Artist a lying autobiography and a raking satire. The book should be read as a work of art, not a objective record. Joyce transformed autobiography into fiction by...If you want to get a full essay, order it on our website: Orderessay
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