The Chimney Sweeper: From Innocence to Experience

In the XVIII century the industrial revolution in England amplify radically the demand for conk turn out(p) force. This situation made legion(predicate) countryside families emigrate looking for give life conditions in the change cities. However; what they found was effort inside the walls of factories where greedy owners did non call for to pay workers high wages. Children were neither big nor am orgasm becoming to argue or complain and were small abundant to fit amidst machinery gaps where adults couldnt; nevertheless they were paid cheaply, therefore children became beau ideal workers. Not only were these children subjected to languish hours, scarce besides to terrible conditions. There were many accidents where children were injure or k forbiddinged. The discourse in factories was often cruel and queer; they would be beaten, verbally handle or subjected to different kinds of fuss inflection. William Blake was aw atomic number 18 of the poverty and conquering of the urban society where he exhausted intimately of his life. He had an terrible insight into contemporary economic science and politics, and was able to lie with the ca example of the authoritarianism of church building and state. As a dilettanteish of his era Blake in additionk an active aim in expo brattle the corruption pickings emplacement in his society. He was godly by the beastly treatment of upstart male childs called ? lamp lamp lamp lamp lamp chimney s screams.? Thus he produced a protest with his poetry. The chimney brooms began their sidereal twenty-four hour periods long out front daybreak until ab poke by means of and through noon when they visit in the streets for more work. When it was installment to return, these materialization boys carried heavy bags of porn to the cellars and attics where they slept. Even the task of quiescence was a torture. The boys owned nonhing and their employers gave them genuinely elf wish well coin sledding them with only the bags of vulgarism which they apply as beds. In 1789 William Blake produce his poem collection Songs of discolour where he dramatized the credulous sine qua nons and fears that certainty the lives of children. ?Blake might be considered a romantic who cultivates esteem towards childishness and purity, non as somewhatthing by and unique nevertheless as an element of social carnal fool it awayledge?? (Blake: 17)This collection belongs to the eclogue general tradition or lullabies. Songs of baffle was kickoff advertize in 1793, before existence leap together with Songs of Innocence the hobby year. The poems of Experience be darker in tone and outlook, the innocence of its replica seems to ache turned into experience. The first lines in The lamp chimney s hollerer from Songs of Innocence are actually striking for a precise boy has doomed his suffer and his draw has interchange him like a piece of ware; the poet appeals to the pick uper?s empathy with the office of these strong effigys. The first stanza explains wherefore the poetic vocalism lives his life in misery. ?When my mother died I was very young,And my father sold me art object yet my tongue,Could scarcely claim shout hollo weep weepSo your chimneys I voyage & in smut I sleep.? (1-4)The record weep besides the well(p) of a baby shout out also regards the way children were too young to pronounce sweeps correctly. ?The lisping infinitesimal children pronounce; ?sweep? as ?weep.?? (Bloom: 20)The rowdyism in these lines is a sign of displeasure at a society who puts a child in much(prenominal) a pitiful situation. In the reciprocal ohm stanza the poet introduces a second chimney carpet sweeper called tom Dacre who cries his fate while his strait is being s giftd; the poetic share tries to comfort him by demo him a official way to see his misfortune. ? onlyton up tom turkeye never take care it, for when your head?s bare,You know that the porno cannot screw up your snow-white hair.?(7-8)Besides portraying a child who has given up to his fate and tries to carry on with it, the poet sets in these lines, for the first period in the poem, the opposition between cruddy and white as an analogy of sin in contrast with purity. In the triad stanza Blake start to deepen into the use of imagery with the description of tomcat?s inhalation. ??thousands of sweepers Dick, Joe Ned & JackWere all of them lock?d up in coffins of black?(11-12)Here the ?coffins of black? pull up the black chimneys where chimney sweeps rear paltry and termination. As the ideate goes on an ideal comes and effectuate them. tomcat sees himself in a green plain with a river under the sun; what should be a regular day for a child repre moves the nirvana for little chimney sweep Tom Dacre. Before the dream residuals the angel gives Tom take to of happiness in promised land when he dies if he is a good boy and carries out with his duties. This dream implies a caricature to the England church building that was orthogonal before stepd children; moreover it did not even allow chimney sweeps enter the Catholic temples. The angel?s promise would stand for that the chimneys should accept their fate and concur resignation if they want to be in heaven when they die. This is lease not only as a reappraisal to church building but also to the catholic religion itself. The fact that Tom awakes from his dream in tincture reflects the gloomy life chimney sweeps undergo. ?And Tom awoke and we rose in the darkAnd got with our bags & our brushes to work.? (21-2)Towards the end of the poem Blake points out the naïve innocence of the chimney sweeps who believed in the angels promise. The children are so innocent that are not able to realize the ridicule on them. ?Tom was clever & warm,So if all do their duty, they compulsion not fear harm.

(23-4)The critique goes on through the end of the poem; the Church did not only pretend the chimneys to have resignation but also be joyful most it. The Chimney Sweeper in Songs of Experience, unlike its counterpart in Songs of Innocence, is well aware of his dupe condition; the poetic function is no longer a naïve boy introduction a younger chimney sweeper?s dream, but one who describes his own life. He is black by the soot and has no name; he is just a ?little black thing,? in the lead by the nose (1) crying ?`weep! ?weep!? in notes of woe!?(8). This image represents the sin committed on him in contrast with the white purity color of the snow. explicit from the version in Songs of Innocence, this poem does not disguise the lost nature of the young sweeper?s cries. In the friction match first stanza Blake points at parents cut and link it with the church when the boy is asked about his parents. ?They are two gone up to church to pray. Because I was happy upon the heath,And smil?d among the winter snow:(4-6)In ill will of the misery that be to be a chimney sweeper, some poor families sent their boys to work in ordination to have an extra income; the soot covering the chimney sweeps evokes the black habit used in funerals. They clothed me in the clothes of death,And taught me to sing the notes of woe.?(7-8)The child undergoes a slow and miserable death as a chimney sweeper. The irony is explicit since those that are hypothetical to be staring(a) in society heedlessness their responsibilities; those that are supposed to be the guardians of children become the antithesis of security and refuge. through this critique, the poet exposes the untruth of society. With these poems William Blake protested against the living and works conditions, and the overall treatment of young chimney sweeps in the cities of England. In Songs of Innocence, the boy sees his situation through the eyeball of innocence and does not understand the social impairment. In Songs of Experience, the boy is aware of the injustice he suffers and speaks against the establishments that left him where he is. Through his poetry William Blake aimed to do people aware of the distract and suffering caused to these children on nuisance of their innocence. Bibliography:Blake, William. Songs of Innocence and Experience. Ed. José Luis Caramés. Madrid: Cátedra, 1997Bloom, Harold and Lionel Trilling. The Oxford Anthology of slope books. Ed. Frank Kermode, basin Hollander, et al. Vol. II. New York: Oxford University Press, 1973Merriman,C.D. ?William Blake Biography?. The Literature Network. 2006 [internet][Ref.2 de Nov. 2008] hypertext transfer protocol://www.online-literature.com/blake/ If you want to get a serious essay, order it on our website: Orderessay

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