Sunday, January 12, 2014

Odour of Chrysanthemums vs. Cry of The Children

We live in a constantly expanding industrial society. though there ar certainly obvious benefits to this deportmentstyle, in limited in the realm of medicine and technology, industrialization has subscribe toable been the payoff of anguish and debate in society, particularly during the years adjoin the industrial Revolution. Of particular interest was its effect on the forgiving condition. In two(prenominal) the short story ? odour of Chrysanthemums? by D. H. Lawrence and ?The ill-use of the Children? by Elizabeth Barrett toasting, the authors engagement the contrast among nature and work to illustrate the various ways in which industry greatly worsens benignant lives on a psychological level. To begin, Lawrence and Browning twain(prenominal) use their pieces to say that industrialization leads to a lack of license in human lives. In both stories, nature is seen to look at freedom, and is placed in stark contrast with modern, industrialized flavor. ?The tidings of the Children? depicts the harsh and futureless lives of child labourers with brutal detail. It begins with vivid and well-behaved-tempered imaging of an idyllic nature scene: ?The young lambs argon bleating in the meadows/ The young birds and chirping in the nest / The young fawns be sword buncoing with the shadows / The young flowers and blowing toward the west.? Browning immediately establishes a connection between happiness and nature, faceing young animals playing and universe joyful. The residue between this scene and the capers that follow could not be to a greater extent than than obvious: ?The young, young children [?] they are weeping in the playday of the others/ In the country of the free.? Browning makes this contrast savagely make pass: the children, unlike the animals that live in nature, live lives of slavery, not freedom, and are thus short. D. H. Lawrence illustrates this same phenomenon very literally in ? odor of Chrysanthemums.? He depicts the life of a mineworker as dampen,! joyless, and remain by routine: we see that it is a even situation for the protagonist?s miner economize to scrape up home late from work and spend his currency acquire drunk at a pub. ?Aye, it?s a comminuted thing, when a man can do nothing with his money unless when make a beast of himself!? the miner?s father-in-law states bitterly. It is work out that he is unhappy and uses alcohol as a counterfeit of escapism; the fact that he is confine in his life is mirrored very obviously by Lawrence when the miner is trapped in a cave-in at his job. Quite literally, his industrial line of work traps him. It is also made clear in both pieces that industry causes great sorrowfulness and melancholic in human lives. This is particularly evident in ?The emit of the Children?, which shows how miserable and hopeless child labourers are: ?All day, the iron wheels go away/ Grinding life down from its mark.? There is no populate for happiness in the lives of child slaves. It is evident that they need woolly all hope- even religious faith is deceased from them. ?Is it belike God, with angels singing ?round Him/ Hears our weeping any more?? they ask, in the lead claiming that ?He is speechless as a add together? in the face of their misery. Once again, Browning uses nature imaging to illustrate her point: she calls for the children to ?Go out [?] from the mine and from the city/ Sing out [?] as the circumstantial thrushes do/ strip your handfuls of the meadow-cowslips pretty.? Contrasted against the happiness and freedom of nature, the darkness of the children?s lives calculates all the more unbearable. In ?Odour of Chrysanthemums?, we learn that the miner?s only(a) and dull life lead to emotional isolation and a lack of human connection between his wife, even charm they both maintained the illusion of a loving relationship. stand up over his dead body, his wife reflects on their relationship: ?And she knew what a stranger he was to her [?] There had been nothing between them, and shortly en! ough they had come together, exchanging their nakedness repeatedly. Each time he had interpreted her, they had been two isolated beings, far apart as now.? Lawrence reflects this unhappiness in his depiction of the plants near the house: ?The palm were drab and forsaken [?] There were some twiggy apple trees, winter-crack trees, and hassle cabbages.? Seen adjoining to the powerful locomotive which moves ?with loud threats of speed?, these plants seem particularly pitiful. The weakness of nature is used as an parable to the melancholy of the individual in the face of industry. Finally, Lawrence and Browning both show that industry eventually causes the death of valet de chambre, either literally or spiritually via a loss of will to live.
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In ?Odour of Chrysanthemums?, the miner is literally killed by his job when he becomes trapped in a cave-in. This event stands as Lawrence?s ill warning against the negative effects of industrialization on human life. The miner?s death is symbolized by the nominative chrysanthemums, a vase of which rests in the house. The miner?s wife tells their fille that her husband always brought her chrysanthemums to celebrate important events in her life; in this sense, the chrysanthemums stand as a symbol or reminder of the miner himself. When the miner?s corpse is brought guts to his home, we are told that there was ?a cold, deathly smell of chrysanthemums? in the room, which understandably represents the death of the miner. Browning also shows the death of humans due(p) to industrialization, but her concept of death is more psychological than literal. In ?The Cry of the Children,? she shows that the miserable existence of child sla ves has led them to self-coloured give up on life. ! ?Alas, alas, the children! They are seeking / footprint in life,? she says, describing how even if the slaves could get a chance to play and enjoy life by ?Sing[ing] out [?] as the forgetful thrushes do? or by ?plucking [their] handfuls of the meadow-cowslips pretty?, they would be as well as exhausted to do so. Indeed, the children themselves say that ?it is good when it happens [?] that we die before our time.? Thus does she make her point kinda clear: though the child labourers are not literally dead, they have been psychologically killed by industrialization. It is thus clear that both D. H. Lawrence and Elizabeth Barrett Browning use the contrast of the natural and industrial worlds to show that industry causes a lack of freedom, great melancholy, and death. Industrialization has long been synonymous with progress, but these two authors want us to consider that perhaps authoritative progress would actually involve winning steps past from industrialized society. BIBLIOGR APHY?Odour of Chrysanthemums? by D. H. Lawrence?The Cry of the Children? by Elizabeth Barrett Browning If you want to get a good essay, order it on our website: OrderEssay.net

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