Howard Arkley was born in Surrey Hills, Melbourne, Australia, in 1951 and died there in Oakleigh, Melbourne, on 22 July 1999. Arkley was a major presence in the Australian art world and his exhibitions were significant events. He first exhibited at Tolarno Galleries, Melbourne, in 1975 at the age of 24. The suburban landscape had been Arkleys stir for more than two decades. His idea of the ideal home had become iconic images trench down Australia and attracted significant overseas attention from collectors and curators. He proverb that the suburbs were a worthy landscape with more relevance than the scouring to al some(prenominal) Australians. The suburbs are an icon of Australian cultural identity and Arkley took this as his opportunity to create amazing art, which reflected a solemnisation of flavor in Australian suburbia. Howard was rund by a not bad(p) browse of things without his short life. Punk music/culture, Travel, his teachers, childrens books, his wives, art nouveau, textures and most importantly suburbia, to name but a few. Elizabeth Gower, his first wife introduced him to womens art movement, i.e. quilting and traditional handicrafts. This can be seen in his work, the Vortex, 1981. As well as the obvious pattern, assembly line of credit and shape. Printout Red/Blue, 1980.
This work incorporates important primary influences on Arkley, such as the work of American artists andiron Stella and Agnes Martin, through the use of pencil squares. This work excessively brings to sagacity pattern lino and embroidery. This is an important pre-cursor to later works in which Arkley render the patterns of flywire screen doors of Austra lian homes. Disco, 1981. This ! artwork shows the influence that early computer games such as Pacman had on Arkley. It also reminds me of neon disco floor lights. It also shows texture, which he was kinda fire in at the time, especially... If you want to get a dear essay, order it on our website: OrderEssay.net
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