Character Evolution in Shakespeare\'s Macbeth

In Shakespeares Macbeth, the title characters plight can be summed up in his discourse to himself in the beginning of Act I scene vii. In this passage, Macbeth weighs the pros and cons of murdering Duncan, the king. He finds that there is more against the discourtesy than for it. Macbeths contemplativeness leads him to the conclusion that Duncan is a saint and hath borne his faculties so meek, hath been so clear in his salient office, that his virtues get out plead wish angels (Macbeth 1.7.17-19). Macbeth can not go through with the endeavor, for Duncan is no unknown quantity; he is a kinsman, and Macbeth is his subject. Macbeth is echo to Duncan, probably through a loyalty oath. One finds fall out that Duncan has rewarded Macbeths loyalty with honor and with titles of nobility, resulting in an increase in Macbeths popularity. He also has a bother killing Duncan due to the detail that Duncan is Macbeths guest. It is Macbeths task as a host to protect his guest.\nFor Macbe th to bring off the knife himself will be the ultimate form of treason: he would be fight his kin, his king, and his guest with the same cut of his arm. One should pay wet attention to Macbeths language; in that same passage, Macbeth personifies pity, making the feeling a horseman who rides pronto on the wind. Macbeth then extends the coincidence to himself; he is also a horseman, but he is a clumsy one with teensy-weensy to no motivation or speed: I cook no spur to hawkshaw the sides of my intent, but only bound ambition which oerleaps itself and falls on th other (Macbeth 1.7.25-28). To put it simply, Macbeth only if can not limit up with the pity, including the remorse that he believes he will feel at a time the deed is done.\nIn addition to the melancholy that will sweep the land once Duncan is dead, Macbeth knows that his time will be short: bloody instructions which, being taught return to gadfly th inventor (Macbeth 1.7.9-10). Macbeths ambition to be the king is retard...